Archive for the 'ctp' Category

#18: Is all dot gain (TVI) bad?

In one form or another I am probably asked questions about dot gain being “bad” more than any other technical question. The short answer I have always given to this question is no, dot gain is not bad; but not knowing what your dot gain is can be very bad. Also, dot gain is no longer the correct term. Most industry experts now prefer the term Tone Value Increase (TVI). To find out more about this change, simply Google “Tone Value Increase.”

I am often asked “Shouldn’t my 25% tone swatch on the printed sheet read 25% if we are doing everything right?” No, because all the steps in the workflow prior to ink on paper have assumed some press TVI and adjusted for it. It is pretty much a mechanical certainty that the printing press will produce a larger dot on the substrate than appeared on the printing plate.

Because most design work is done based upon published industry norms like those found in GRACoL (www.GRACoL.org), it is critical to know the tone reproduction curve of your printing press on any given substrate. Unless your press is printing exactly to the published industry guidelines, you need to adjust the tone reproduction curve of the supplied work prior to submitting the job to press. Thanks to the miracle of CTP (and ColorMetrix) this has become a very easy task.

For example, the image above represents a common situation I am asked for assistance with. The red line on the chart represents the specified magenta printing condition as stated by the print buyer. Those of you who have been reading my e-mails for a while know that I refer to this as a specification which simply means we get paid (or not paid) based in part on achieving this condition. So, we have specified magenta TVI as follows; 25% - 14.72; 50% 17.82; and 75% 12.51.

Our own press finger print data (shown in blue on the chart) tells us that we are achieving the following actual magenta TVI conditions on our press; 25% - 16.20; 50% - 21.00; 75% - 13.22. The ColorMetrix graph shows us how much we need to cut back our curve and at which tint percentages in order to achieve the specified print condition for magenta.

Determining the exact numbers to enter into your CTP device in order to obtain this is a scientific exploit (one with some fudge factors and experience worked in for best results), I will be discussing in a webinar called “ColorMetrix and the cut-back curve.” The webinar will be conducted Thursday December 15th at

3:00pm Central time. The cost will be $89 for the 1-hour webinar, and a question and answer period to run until all questions have been answered. Attendance will be limited to facilitate answering all questions so visit our on-line store today to register.

Golden Nugget #14 Press Curves for CTP

*** Introduction ***

Here is a brief update of what has been happening at ColorMetrix and where we can be found over the next couple of months.

  • ColorMetrix will once again be a sponsor of the PIA/GATF Color Management Conference December 4-6 in Phoenix, AZ.
  • Our web store will be updated in the next week or so.
  • ProofPass.com now supports the icColor from gretagmacbeth.

*** Golden Nugget #13 Press Curves for CTP ***

Last week I spent a day on-site with a new customer. It was a pleasure to be in a place where I was wanted. This customer was looking for all the assistance we could provide. I suspect the day spent there will contribute to several coming golden nugget e-mails.

My main purpose was to install a ProofPass.com license, and confirm the quality and consistency of their proofs. This was accomplished in fairly short order, so we went on to evaluate other steps in the process that ColorMetrix products are capable of evaluating. Because this installation utilized a Gretagmacbeth EyeOne, we used the i1Share software to evaluate ambient light in the plant. We also used the EyeOne and the i1Match software to calibrate all the monitors in the plant used to evaluate color.

Familiar sounding stuff if you have been reading golden nuggets over the past several months. Next, the customer started asking about evaluate press gain to better set CTP curves. Having my notebook computer along, I was able to plug their new EyeOne into our ColorMetrix PressRoom software package. We found some press sheets that contained color bars we could measure, and presto we had press curves we could compare to proof curves. It is important to note that this customer is using a digital halftone proofing system with densities and dot gains that can be compared to press.

We looked at the gain curves both graphically and numerically, and the customer knew right away he had found a huge time saving tool. Now, I know a whole lot has been written of late both here and in other places about using grey balance to set the curves. I am not saying the aforementioned method works and grey balance does not, just that in the case of this customer simple curve evaluation was a perfect fit.

The real message here as with almost every golden nugget is that measurement is the key. If you do not measure it, I can guaranty that you will not be able to control it.